Tag Archives: ardor

Pop Matters Reviews Idylls & Ardor Reissues

A joint review of our recent remastered reissue CDs on Projekt was posted by Mike Schiller to the Pop Matters website. It’s rather negative towards Idylls, alas, but below are some of the more positive quotes:

You just don’t see bands like this anymore. The whole shoegazing, atmospheric, easy-listening-gothic darkwavy movement has all but disappeared into the night, morphing neatly and quietly into the less laboriously-described genres of folk, rock, and ambient music. In the ’90s you could hardly throw a stone without pelting one of these bands in the forehead…

Love Spirals Downwards always tended a little more toward the “artistic” side of the spectrum of acts in this style. Rather than find the dance beat that would hook the Love Spirals Downwards name into the mainstream, primary instrumentalist Ryan Lum went for a more minimalist approach, more akin to the lighter side of such darkwave stalwarts as Cocteau Twins, Love is Colder than Death, and Projekt labelmate Black Tape for a Blue Girl. There was always just enough percussion to push a song along, and even then, only when that percussion was necessary. Suzanne Perry took a plaintive approach to the Lisa Gerrard-esque habit of nonsense syllables mixed with the occasional intelligible lyric, coming off as ethereal, yet human. Combined, the two made some of the prettiest, if not necessarily the most engaging music in the genre.

Continue reading Pop Matters Reviews Idylls & Ardor Reissues

MusicTap Reviews Idylls & Ardor Reissue CDs

Matt Rowe of Music Tap posted a joint review of our two remastered reissue CDs released last month by Projekt.

From the early formative years of Love Spirals Downward[s] to their current incarnation, with name shortened to Lovespirals, the band has shape-shifted from a 4AD ethereal sound with thick, cottony soundscapes to complement the hypnotic, angelic vocals of Suzanne Perry to a more current smorgasbord of legendary influences such as blues and jazz, completed by the chameleonic voice of Anji Bee. The two versions of the same band have covered a lot of ground in their separate time-frames, both having added copiously to the band’s legacy. 

Continue reading MusicTap Reviews Idylls & Ardor Reissue CDs

El Nacional Interview

The band had a half page interview in the major national newspaper, El Nacional, for Thurs, February 29, 1996. Following is an English translation, followed by the actual article.


LOVE SPIRALS DOWNWARDS: Music for the End of the Millennium

By XAVIER QUIRARTE

Suzanne Perry and Ryan Lum are in the music scene to enjoy the freedom of creating sounds, and they delegate the pursuit of their art to no one but themselves. Love Spirals Downwards, the creative duo that started on the principle of minimal commitment, has crystallized into two discs. Idylls and Ardor, edited by the independent US label Project, are proof of this. “Music for the end of the millennium,” dark gothic, “ethereal sounds” or “angelical,” are some of the adjectives that their work has earned.

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Big O Interview

Projekt sent over a press clipping of our interview. It reads:

LOVE SPIRAL DOWNWARDS

“Reaching into the heart of the matter” by Zulkifli Othman

Love Spiral Downwards are just one of those bands that make music that transcends, well, music. Like Dead Can Dance or the Cocteau Twins, their sound reaches inside human feelings, a sound that has become a trademark for all bands on the Projekt label. The American duo of Suzanne Perry and Ryas Lum create a sincere innovation in lush and expressive visions. What follows was due to be a straight question and answer format, but it was anything but a simple yes-and-no affair.

Zulkifli Othman: Is there another aspect of the band we should know, because your music is a stimulation of feelings? The ultimate mood music, if you will.

Ryan Lum: Well, I don’t know about the “ultimate” mood music, but yes, I see our music as a kind of music that stimulates feelings and is often moody.  What I think is unique about our music is that we give it a direction to which the listener is very free to take it where they are led by their own mind.  It’s kind of an escapist thing.

Continue reading Big O Interview

Dewdrops Issue #14 Reviews Ardor

Love Spirals Downwards
PROJEKT
Ardor

There is really nothing NOT to like here, I but if this album suffers form anything it’s that it has too much of a good thing (re: the For Against album, but to a lesser degree here). Ryan Lum’s scintillating guitar effects seamlessly blend with Suzanne Perry’s high pitched vocals. Each song taken separately, or in twos, reaches for the top of the genre, begging comparisons to Victorialand-era Cocteau Twins (believe me, I’d do away with this tired comparison if I could come up with a better one!). And considered in this way, the album is pretty wonderful. But when taken all at once, it approaches an overdose; a pleasant one, but one that leaves me a little uneasy nonetheless. A little more variety might have helped, but as is, Ardor still succeeds.

8 lilies – Brant


What more can be said about a band which consistently creates some of the most beautiful music out there? With breathtaking, shimmering, hallucinogenic instrumentation and vocals that issue straight from the heart, Ryan Lum and Suzanne Perry create equal numbers of textural, nigh-ambient tracks, and stand-alone ether-bliss monuments (the closest they get to singles!). One could very easily list all the powerful similarities to the Cocteau Twins’ Treasure, Echoes in a Shallow Bay, and (most of all) Victorialand — even the mesmerizing, voiceless moments of Dead Can Dance. But make no mistake, Love Spirals Downwards stand alone as a landmark to ethereal and madrigal greatness.

9 lilies — Pat

Ink Spots #19, April 1995 Interview

By Andrew Chadwick

Love Spirals Downwards create haunting tapestries of beautifully layered ethereal guitars and stirring, golden female vocals which seem sometimes like a shaft of sunlight making its way through the smoky gloom. Their debut album, Idylls, invited listeners into their shimmering world. With Ardor, their second release for Projekt, Love Spirals Downwards seem to have become more comfortable with their listeners and embrace them with their bare souls. In February, I spoke with the two members of Love Spirals Downwards, Ryan Lum and Suzanne Perry, about the change between albums, the band, and their impending tour.

Idylls seems a lot darker than Ardor.

Ryan: That’s interesting, because some people who we showed Ardor to before it came out said, ‘It’s not that different,’ and other people said, ‘You guys have really changed a lot.’

Your fundamental style has stayed the same; I think it’s just your approach.

Suzanne: Yeah, it’s definitely a little lighter – not much lighter, though.  You couldn’t describe it as light, but when you compare it to Idylls, its kind like one step about suicidal, you know… (Laughs)

Ryan:  I don’t think it’s suicidal.

Continue reading Ink Spots #19, April 1995 Interview

Carpe Noctem Vol. 2, Issue 1, 1995

“Into a Well of the Looking Glass” by Aaron Johnston

I was always involved with the ethereal music scene, but never to the degree where it became a driving passion. The nature and tone of the music was, in essence, a very articulate reflection of who I was in self, but there were simply no bands I knew of pushing the sound beyond its gates to a point of unavoidable adoration on my part. It wasn’t simply a matter of finding the perfect band, but of finding the perfect window. Through time and dedication, any group could eventually release an album with the most delicately perfect instrumentation and ideally placed melodic trim, but what is it if there is no decisive emotional push behind it? This question was at the forefront of my mind for many years, and was finally answered one evening as I sat down to listen to a prodigal young instrumentalist named Ryan Lum conspire with an astonishingly angelic vocalist named Suzanne Perry under the name Love Spirals Downwards.

Within a matter of moments, the two managed to capture a well of feelings and affections wrought with a long-held yearning for excommunication and deliverance; a subtle and pure exorcism of the soul. I always thought this kind of experience was a bit too “new age” to be truly revealed to anyone living in the real world, but I was disproved time and time again with each successive listen. I was, in all honesty, baffled by the two arms which were weaving me through the first stages of my spiritual and emotional re-education. Ryan and Suzanne had me wrapped around their fingers, plain and simple. Rather than a feeling of manipulation, however, I was a willing participant. Although it was the effort of two, the group worked almost in a doubled unison. I was traded between Ryan’s deep guitar and keyboard exchanges and Suzanne’s beautiful vocal raptures time and again with abandon. In essence, it felt as if I were being led along by a single hand with two separate bodies, two distinct minds thinking and reacting as one.

Continue reading Carpe Noctem Vol. 2, Issue 1, 1995

B-Sides July/Aug 1995 Feature Interview

“Ecstasy of Angels: Love Spirals Downwards” By Rossi Dudrick

Winged for an astral Odyssey, you’ll soar on a freed soul fantasia, where elation and melancholy are locked in epoch embrace. A sweet chanteuse’s vocals seem to sweep over misty moors, while guitar chords fall like shimmery sunlight on deep pools of tranquility. The height of your ascension is up to you, for even a modern day Icarus now has a second chance.

Although Love Spirals Downwards’ music seems to flow from a wellspring of divine inspiration, the creators of these soft-focus mood montages have no stigmatas flooding their teacups.  Such cameo apparitions burst like soap bubbles upon meeting the diaphanous duo, vocalist Suzanne Perry, and guitarist Ryan Lum.  In the midst of a torrential downpour, they look like two fresh-faced college kids on a tailgater’s rush indoors for safe harbor more than members of the ethereal’s exotic elite.

Over a rainy day breakfast in a ‘50’s time warp diner, the pertinent debate of the moment is omelets vs. blueberry pancakes.  It’s unanimous; stacks of belly whopping blues all around!  Hunger pangs aside, Suzanne and Ryan exude an easygoing warmth and unpretentiousness that sparks candid rapport. “Most people are surprised that we’re down-to-earth, normal people, always joking and really practical; not head in the clouds types,” emphasizes Suzanne. “But what confounds most people is how little time I spend thinking about my music, or think[ing] of myself as a musician.”

Continue reading B-Sides July/Aug 1995 Feature Interview

Projekt Press Release for Ardor

Official Love Spirals Downwards Projekt press release for ‘Ardor’:

The words ‘Ethereal’, ‘Ether-bliss’, ‘Dream-pop’ and ‘Angelic’ have all been used in describing the mysterious sound of Love Spirals Downwards. While none of these terms captures the essence of their sound, each describes some quality of their beyond-language music. And beyond language’ is a good starting point; their. female vocals transcend lyric and language, while guitars swirl and spiral with bright atmospheric textures from a place beyond words. It is place where words and meaning are meaningless and where emotion and beauty prevail.

Released in late 1992, this Los Angeles duo’s debut album Idylls has become one of Projekt’s most popular releases. On their new album Ardor, Love Spirals Downwards continues their dream-like sound with a blissful and uplifting feel that picks up from the slightly darker, almost Eastern, sound of their debut. Ardor abounds with rich layered textures of effected electric and acoustic guitars created by Ryan Lum combining with the beautiful harmonizing voices of vocalist Suzanne Perry, enveloping the listener in a world of beauty.

PROJEKT
Love Spirals Downwards 'Ardor' 1994 (Projekt)