Ryan Lum and Suzanne Perry started imposing their own style of ethereal music back in the early nineties. Refusing to see his music getting static, Ryan has always opted for innovation, sharpening his melodies and every time enriching the mood and atmosphere of his compositions that were better and better fitting Suzanne’s lilting voice. Today, Love Spiral Downwards release a retrospective collection of rare and unreleased material on Projekt Records, the perfect occasion for Sideline to look back with Ryan on one decade of melodic sumptuousness.
By Julie Johnson
Sideline: How was Temporal a good way to start 2000 with a collection of past to present songs with never heard songs?
LSD: It was kind of nice to step back and survey the whole history of the band before beginning the new millennium— to take stock of all the work and realize that I really like a lot of what we’ve done. And there were some tracks I had done recently for things that didn’t pan out, so this was a great way to get them out on CD where people can hear them.
Sideline: How does Temporal illustrate growth and maturity in the band?
LSD: Temporal shows the progress of the music over time; the similarities as well as the differences. I notice the differences in my recording set up and gear, but that’s just my focus. People like to talk about the sound change for the band, but really, it’s been a gradual process. The music reflects the changes in our lives and interests over time, and this album kinda sums that up. We aren’t static people, and Love Spirals Downwards is not a static band; everything is merely temporal.
Continue reading Sideline April/May/June 2000 Interview







