Tag Archives: Lovespirals

Lovespirals On New Compilation CDs

Water Music Records just released 2 various artist compilations with Lovespirals tracks. We’re excited to be included on a comp with one of our favorite producers, LTJ Bukem! You can listen to RealAudio or Windows Media files at their site, as well as make an online purchase, so check it out…

  • Chill Out Lounge Vol. 2: 12 track mixed set of chill electronic grooves, including LTJ Bukem, Baby Mammoth, France & Dom, and more. The Lovespirals tune included is a special edit of our 1999 Jazz-Step song, “Hand in Hand”. Check out the Water Music Chill-Out Lounge v. 2 page for details.
  • Chill Out in the City: 12 track comp of Jazzy Down Tempo featuring Baby Mammoth, ORG Lounge, France & Dom and more. The Lovespirals tune included is the 1999 instrumental, “Beatitude,” featuring Doron Orenstein and Gabriel D. Vine of L.A. Deep House band, Toof!. Check out the Water Music Chill-Out in the City page for details.
Chillout in the City CD

Lovespirals Interview on DAXX

A Q&A with Anji Bee just went up on the DAXX site. You can read the full interview over there, but here’s a good selection of topics.

DAXX: In 10 words or less, describe your demeanor.
ANJI: “Mellow” is always the word that comes up about Ryan! I’m kind of a mix of mellow and intense, depending on the situation. Ryan always says I’m “sweet”. Other people tend to say that I’m “cool.”

DAXX: What genre of music do you like to produce? To listen to?
ANJI: We had been making Atmospheric jazz step drum ‘n’ bass the past couple years, but we just completed a downtempo vocal track last night, and I hope we go in that direction for some more songs. We’re also talking about trying a vocal house tune, probably with the help of our jazzy house collaborators, Gabriel D. Vine and Doron Orenstein. They’ve gotten us more interested in deep house stuff ‘coz they have a great band, called Toof, that does that sort of thing. I’m thinking about doing stuff along the lines of some of the Om Records releases — very groovy, mellow dance music with sexy vocals. Ryan wants to use a lot of Rhodes and sax, and experiment more with the beats and grooves. We want to keep it very jazzy, and atmospheric — that’s the main thing!

Continue reading Lovespirals Interview on DAXX

The Violet Collective Interview

Rik of The Violet Collective interviewed Anji Bee about her various creative endeavors on mp3.com. You can read the full Q&A over at the Violet Collection site.


Maybe you’ve seen her face around the mp3.com site, or maybe you’ve heard one of her collaborations with Lovespirals, or Voiceless, or Delphinium, or, well, you get the picture. Anji Bee is the voice behind a number of bands I’ve grown to enjoy, so I thought that it’d be kinda neat to have a little chat with her for The Violet Collection…

RIK: You divide your time between a few projects, Lovespirals and Delphinium being the most visible. How does this affect the way you write? Do you sit down with the idea of writing a Lovespirals song for example, or do you decide where a piece will be used after it’s written?

ANJI: I haven’t actually done any recording for Delphinium (formerly known as Datura) in a few years. Justin and I started doing other projects, and then he stopped making music. He’s been saying he wants to get back into it, so perhaps we’ll collaborate again sometime in the future. Since I’ve been in Lovespirals I’ve collaborated with a number of different musical projects, though — mostly during the end of 1999 to mid-2000. I was so excited to join Lovespirals that I went into a really creative period of songwriting, and my song journal was just overflowing.

Continue reading The Violet Collective Interview

Lovespirals Interview on MacNETv2

MacNETv2, a fansite for Mac users, just posted an interview with Ryan and Anji discussing their use of Macs in music, design, and website creation. We’ll include some excerpts below:

April 2001, MacNETv2, Chris Volpe

Chris:: Do Macs enhance your creativity in any way?

Ryan: I don’t know if Macs make me more creative, but as far as computers go, they’re the least obtrusive in letting me get on with my creative work in the studio without being forced into thinking like a computer. You just point, click, drag, and don’t have to worry about anything else with regards to the computer. I see computers as a tool, a tool you use to get things done. I think Macs are by far the best platform for anyone who does music or graphics. Also for getting photos, mp3s, and video into and out of your computer, nothing can compete with Macs and all the new Apple software like iTunes, iMovie, and iPhoto. But if you’re a more nerdy C++ or ASP programmer, I’d say PCs are the way to go and a Mac wouldn’t be the right tool at all.

Chris:: Tell me some things about the new CD [Windblown Kiss] that you’d like the readers to know. How’s this recording different?

Ryan: This is the first time that I’ve had the recording quality that I’ve always wanted. The whole thing was recorded and mixed to 24 bit. In the past 4 or so years, the technology and cost have finally come together to allow truly great quality digital recordings. Still, you need to have the engineering and production skills, as well as good microphones and outboard gear, to take full advantage of it.

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Lovespirals in Oui Rocks

Lovespirals were mentioned in a recent issue of Oui Magazine, for their Oui Rocks section. Devil Doll gives a brief update of the band in her “Oh My Goth” column, alongside The Empire Hideous and Virgin Black. A band portrait by Susan Jennings is included.

LOVESPIRALS (formerly Love Spirals Downwards) songwriter/producer, Ryan Lum and singer/songwriter, Anji Bee, are currently preparing for the release of their first full-length album, tentatively titled ‘Oh So Long,’ due out in May 2002. Ryan reports: “There’s lots of little surprises in our sound this time around, including a wonderful guest appearance by Sean Bowley (of Eden) on 2 tracks. As I have recently rediscovered my love of guitar, this album is really based around beautiful melodies on both acoustic and electric guitar, as well as Anji’s gorgeous, versatile vocals. We’ve had a lot of fun working on our first album together and hope that love shines through to our fans!”

— from Oui Magazine

RadioSpy Interview on Choler

March 17, 2000 RadioSpy Interview by Sean Flinn:

Indie goths gone electronic, LSD’s sound now sketches its past while tracing its future.

“We’re the first and only for a lot of things on Projekt,” says Ryan Lum, the multi-instrumentalist and driving force behind Love Spirals Downwards, darkwave label Projekt Record’s top-selling act. Lum is sipping on a soda in a RadioSpy conference room and choosing his words carefully. He’s speaking of his band’s use of saxophone riffs on a song from its latest release, Temporal, a career retrospective that includes a number of unreleased tracks. Lum was concerned that Sam Rosenthal, Projekt Record’s sometimes finicky founder, might be less than enthusiastic about the sax track.

“[Rosenthal] actually made a positive comment about the saxophone. He said, ‘You know, it fits somehow,” recounts Anji Bee, Ryan’s self-described “partner-in-crime” and recent collaborator on everything from album art to vocals. Lum’s experimentation — with his sound and with the band’s direction — initially met with grudging acceptance from Rosenthal, who eventually warmed to the band’s new sound.

“It’s not his cup of tea,” Lum says of Rosenthal’s reaction to the band’s shift in sound from “shoegazer,” the ethereal style of feedback- and synth-drenched pop defined by British bands like My Bloody Valentine, Slowdive and the Cocteau Twins, to drum ‘n’ bass. “But we more or less have artistic freedom to do as we please. I guess being the top seller on the label doesn’t hurt us in that,” Lum says with a chuckle.

Continue reading RadioSpy Interview on Choler