DJ Wednesday from KSPC 88.7FM invited both Love Spirals Downwards’ Ryan and Suzanne, and Trance to Sun’s Ashekelon and Zoe to the station in Claremont to promote some shows the bands are doing in Los Angeles and Seattle.
Category Archives: Interview
The Ninth Wave: A Journal of Nocturnal Culture #5 Spring/Summer 1995
While the beautiful sounds of California’s Projekt Records have almost become a genre of their own, it was back in 1992 that I first discovered the label, through a compilation entitled From Across This Gray Land 3. The album’s opener was a lush combination of dreamy, swirling guitar and blissful vocals, and I was instantly hooked. That song was “Mediterranea” by Love Spirals Downwards.
The duo of Ryan Lum and Suzanne Perry have since released two successful albums on Projekt, 1992’s Idylls and, most recently, Ardor. LSD is perhaps one of the few bands linked to the ’80s 4AD sound that are actually worth discovering. Knowing how painfully quiet and difficult some ether-celebs are to interview (Mazzy Star, Cranes) I worried a bit about these two. A quick call proved my fears unfounded; they were both delightful and eager to discuss their band. In fact, Suzanne put me at ease instantly with the simple phrase: “Wow, a female interviewer, how nice.” She then went on to recount her memories of beach harassment. But that’s another story.
I began my probe with the most obvious queries about their background, musical and romantic.
“We grew up in the same area of California,” explained Suzanne. “But we didn’t know each other until we started dating. We were both doing music, but I never thought I would make a career out of singing. We decided to try doing a couple of songs together, so we went into the studio and recorded a three-song demo.”
Continue reading The Ninth Wave: A Journal of Nocturnal Culture #5 Spring/Summer 1995Ink Spots #19, April 1995 Interview
By Andrew Chadwick
Love Spirals Downwards create haunting tapestries of beautifully layered ethereal guitars and stirring, golden female vocals which seem sometimes like a shaft of sunlight making its way through the smoky gloom. Their debut album, Idylls, invited listeners into their shimmering world. With Ardor, their second release for Projekt, Love Spirals Downwards seem to have become more comfortable with their listeners and embrace them with their bare souls. In February, I spoke with the two members of Love Spirals Downwards, Ryan Lum and Suzanne Perry, about the change between albums, the band, and their impending tour.
Idylls seems a lot darker than Ardor.
Ryan: That’s interesting, because some people who we showed Ardor to before it came out said, ‘It’s not that different,’ and other people said, ‘You guys have really changed a lot.’
Your fundamental style has stayed the same; I think it’s just your approach.
Suzanne: Yeah, it’s definitely a little lighter – not much lighter, though. You couldn’t describe it as light, but when you compare it to Idylls, its kind like one step about suicidal, you know… (Laughs)
Ryan: I don’t think it’s suicidal.
Continue reading Ink Spots #19, April 1995 InterviewInterview in Danse Macabre Vol 3
DAVYD: Were you together as a band previous to being in the area?
SUZANNE: I guess in ’91 we started? Well, I’ve always been singing and he’s been doing music for a really long time. We actually were going out before we started doing music together. I had never done music with anyone before. We did a few songs together then trashed those 2 or 3 songs because we didn’t think they were too good, did a few more and put them on a demo tape and sent them off. At that time we were calling ourselves The Flower People as a joke.
DAVYD: Did any of the songs you were working on then make it on your CD?
RYAN: Our song “Forgo” is on our album and that’s one of those songs, “Dead Language” is also on our album. We also have a couple songs on Projekt compilations.
SUZANNE: That’s pretty much how we started, I was just basically fooling around. He had a lot of instrumental stuff and I just started humming on it and it worked.
Continue reading Interview in Danse Macabre Vol 3Fond Affexxions Issue 5 Winter Thaw 1995
SHORTTAKES LOVE SPIRALS DOWNWARDS
By R. Rusvic
“You know how when you’re a kid and you get out of the swimming pool? This tea smells like that,” explains Suzanne Perry, LSD’s vocalist. She passes the cup to guitarist, Ryan Lum, and then onto myself and we agree, amazed at the purity of her asseement. We’ve gathered in the duo’s comfortable Westside apartment to discuss the release of ‘Ardor,’ their second full length record. Nearly two years have passed since the band’s debut, ‘Idylls,’ and the band has progressed admirably. One thing that strikes the listener as different is an ongoing sense of unity within ’Ardor,’ an intangible, um, concept.
“It dawned on me as I was finishing the album that the way I was mixing the song somehow tied them all together,” says Ryan.
“It has more of a sense of worldliness than the previous record,” reveals Suzanne. “When I was singing, I tried to be more personable.”
Continue reading Fond Affexxions Issue 5 Winter Thaw 1995Carpe Noctem Vol. 2, Issue 1, 1995
“Into a Well of the Looking Glass” by Aaron Johnston
I was always involved with the ethereal music scene, but never to the degree where it became a driving passion. The nature and tone of the music was, in essence, a very articulate reflection of who I was in self, but there were simply no bands I knew of pushing the sound beyond its gates to a point of unavoidable adoration on my part. It wasn’t simply a matter of finding the perfect band, but of finding the perfect window. Through time and dedication, any group could eventually release an album with the most delicately perfect instrumentation and ideally placed melodic trim, but what is it if there is no decisive emotional push behind it? This question was at the forefront of my mind for many years, and was finally answered one evening as I sat down to listen to a prodigal young instrumentalist named Ryan Lum conspire with an astonishingly angelic vocalist named Suzanne Perry under the name Love Spirals Downwards.
Within a matter of moments, the two managed to capture a well of feelings and affections wrought with a long-held yearning for excommunication and deliverance; a subtle and pure exorcism of the soul. I always thought this kind of experience was a bit too “new age” to be truly revealed to anyone living in the real world, but I was disproved time and time again with each successive listen. I was, in all honesty, baffled by the two arms which were weaving me through the first stages of my spiritual and emotional re-education. Ryan and Suzanne had me wrapped around their fingers, plain and simple. Rather than a feeling of manipulation, however, I was a willing participant. Although it was the effort of two, the group worked almost in a doubled unison. I was traded between Ryan’s deep guitar and keyboard exchanges and Suzanne’s beautiful vocal raptures time and again with abandon. In essence, it felt as if I were being led along by a single hand with two separate bodies, two distinct minds thinking and reacting as one.
Continue reading Carpe Noctem Vol. 2, Issue 1, 1995Muse: February/March 1995 Interview
Some music exists in a dreamlike world of softened colors and indistinct images, where words are scarcely remembered and beauty is the only thing of value. Perhaps this music speaks to us in a wordless language of the peace before birth and the worlds beyond waking reality. The only certainty is that it spirals gracefully downwards through layers of mystery like the depths of an enchanted ocean. This is the music of Love Spirals Downwards: the music of dreams and worlds beyond. Love Spirals Downwards is the voice of Suzanne Perry and the music of Ryan Lum on synthesizers, samplers and guitars.
MUSE: The Projekt label says they produce ethereal, gothic and dark ambient music. Which description most suits your music?
Suzanne: I don’t mind being attached to ethereal so much as being called a 4AD type That’s too specific. Ethereal is more vaguely descriptive.
Ryan: It could be The Moon Seven Times; it could be us; it could be The Sundays. It’s a very broad term.
Continue reading Muse: February/March 1995 InterviewEl Financerio Interview
The band were interviewed by one of the major newspapers in Mexico, El Fianancerio, after their headlining concert in Mexico City. Appearing in the Cultural section of the primarily business and financial news focused paper, the article is titled “A Pale Shadow.” Below is a translation from the original Spanish with slight formatting changes to indicate the speaker. A scan of the clipping faxed over to Projekt follows.
Love Spirals Downwards at the Museo del Chopo
by Oscar Enrique Orneleas
Suzanne Perry (25 years old) and Ryan Lum (28) met in the record store where they worked in Los Angeles, California. A pair of young Americans, like any ordinary couple. “Jack and Diane,” by John Cougar, if you know what I mean. But here the story doesn’t end in an “tragedia Americana”—it’s the style of the writer Theodore Dreiser. Perry (voice) and Lum (various sounds, electric guitars and synthesizers) have integrated their home studio and create pieces as varied as any of the records they listen to. Using a longer name with their two last names together, Love Spirals Downwards (don’t try to translate it, it’s more complicated than it seems), they have two albums: “Idylls” (1992) and “Ardor” (1995), both released on the independent label Projekt, begun by Sam Rosenthal. Ethereal music, guided by the ancestral catalog of dark and ethnic music (“folk” at one time), anything you can imagine. Perry and Lum were in Mexico to offer one solo recital yesterday, on the stage of the University Museum of Chopo. In the evening, this same duo offered some answers to ‘El Financiero’.
Continue reading El Financerio InterviewB-Sides July/Aug 1995 Feature Interview
“Ecstasy of Angels: Love Spirals Downwards” By Rossi Dudrick
Winged for an astral Odyssey, you’ll soar on a freed soul fantasia, where elation and melancholy are locked in epoch embrace. A sweet chanteuse’s vocals seem to sweep over misty moors, while guitar chords fall like shimmery sunlight on deep pools of tranquility. The height of your ascension is up to you, for even a modern day Icarus now has a second chance.
Although Love Spirals Downwards’ music seems to flow from a wellspring of divine inspiration, the creators of these soft-focus mood montages have no stigmatas flooding their teacups. Such cameo apparitions burst like soap bubbles upon meeting the diaphanous duo, vocalist Suzanne Perry, and guitarist Ryan Lum. In the midst of a torrential downpour, they look like two fresh-faced college kids on a tailgater’s rush indoors for safe harbor more than members of the ethereal’s exotic elite.
Over a rainy day breakfast in a ‘50’s time warp diner, the pertinent debate of the moment is omelets vs. blueberry pancakes. It’s unanimous; stacks of belly whopping blues all around! Hunger pangs aside, Suzanne and Ryan exude an easygoing warmth and unpretentiousness that sparks candid rapport. “Most people are surprised that we’re down-to-earth, normal people, always joking and really practical; not head in the clouds types,” emphasizes Suzanne. “But what confounds most people is how little time I spend thinking about my music, or think[ing] of myself as a musician.”
Continue reading B-Sides July/Aug 1995 Feature InterviewDusk Memories Interview with Love Spirals Downwards
Italian Goth fanzine, DUSK MEMORIES – N°5 Winter 94 (ATARAXIA ROSA CRUX CRANES),, features an interview with Ryan. Below is a translation into English and the original ‘zine.
LOVE SPIRALS DOWNWARDS: Un amore mai perduto (A Love Never Lost)
By Di ANNA MIONI
Ryan Lum, who plays all the instruments in Love Spirals Downwards, a new group from the Californian label Projekt, answered some of our questions.
DM: Which groups have influenced you the most?
RYAN: I’ve been influenced by many artists from different genres, including Harold Budd, Brian Eno, classical Indian music, Cocteau Twins, Dead Can Dance, Slowdive, the other Projekt groups, The Orb, Primal Scream, The Grateful Dead, Pink Floyd, and The Beatles. I recently discovered the Ordo Equitum Solis, and I like them a lot. A long time ago (1986–88), I was very passionate about 4AD artists, especially the Cocteau Twins, but my subsequent evolution led me to more “psychedelic” bands like Popul Vuh of the early 70s. I still like Cocteaus, though: the first song of the new album is incredible!
DM: What does the name of the band mean?
RYAN: We didn’t have any specific meaning in mind, we just liked the sound of the name.
Continue reading Dusk Memories Interview with Love Spirals Downwards