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Ink Spots #19, April 1995 Interview

By Andrew Chadwick

Love Spirals Downwards create haunting tapestries of beautifully layered ethereal guitars and stirring, golden female vocals which seem sometimes like a shaft of sunlight making its way through the smoky gloom. Their debut album, Idylls, invited listeners into their shimmering world. With Ardor, their second release for Projekt, Love Spirals Downwards seem to have become more comfortable with their listeners and embrace them with their bare souls. In February, I spoke with the two members of Love Spirals Downwards, Ryan Lum and Suzanne Perry, about the change between albums, the band, and their impending tour.

Idylls seems a lot darker than Ardor.

Ryan: That’s interesting, because some people who we showed Ardor to before it came out said, ‘It’s not that different,’ and other people said, ‘You guys have really changed a lot.’

Your fundamental style has stayed the same; I think it’s just your approach.

Suzanne: Yeah, it’s definitely a little lighter – not much lighter, though.  You couldn’t describe it as light, but when you compare it to Idylls, its kind like one step about suicidal, you know… (Laughs)

Ryan:  I don’t think it’s suicidal.

Continue reading Ink Spots #19, April 1995 Interview

Interview in Danse Macabre Vol 3 

DAVYD: Were you together as a band previous to being in the area?

SUZANNE: I guess in ’91 we started? Well, I’ve always been singing and he’s been doing music for a really long time. We actually were going out before we started doing music together. I had never done music with anyone before. We did a few songs together then trashed those 2 or 3 songs because we didn’t think they were too good, did a few more and put them on a demo tape and sent them off. At that time we were calling ourselves The Flower People as a joke.

DAVYD: Did any of the songs you were working on then make it on your CD?

RYAN: Our song “Forgo” is on our album and that’s one of those songs, “Dead Language” is also on our album. We also have a couple songs on Projekt compilations.

SUZANNE: That’s pretty much how we started, I was just basically fooling around. He had a lot of instrumental stuff and I just started humming on it and it worked.

Continue reading Interview in Danse Macabre Vol 3 

Fond Affexxions Issue 5 Winter Thaw 1995

SHORTTAKES LOVE SPIRALS DOWNWARDS

By R. Rusvic

You know how when you’re a kid and you get out of the swimming pool? This tea smells like that,” explains Suzanne Perry, LSD’s vocalist. She passes the cup to guitarist, Ryan Lum, and then onto myself and we agree, amazed at the purity of her asseement. We’ve gathered in the duo’s comfortable Westside apartment to discuss the release of ‘Ardor,’ their second full length record. Nearly two years have passed since the band’s debut, ‘Idylls,’ and the band has progressed admirably. One thing that strikes the listener as different is an ongoing sense of unity within ’Ardor,’ an intangible, um, concept.

It dawned on me as I was finishing the album that the way I was mixing the song somehow tied them all together,” says Ryan.

It has more of a sense of worldliness than the previous record,” reveals Suzanne. “When I was singing, I tried to be more personable.” 

Continue reading Fond Affexxions Issue 5 Winter Thaw 1995

El Chopo Concert Review

Projekt sent over a press clipping of a La Jornada newspaper review of our recent concert in Mexico City. Not sure how great this translation is, but here goes:

Recital with throat and guitar of the angelic duo

“That of Love Spirals Downwards, naked music in the Chopo”

by Pablo Espinosa

With the tenderness of a lullaby, the tenderness of a hologram, the smoothness of a wallflower, the voice of Suzanne Perry lived in the Poplar Museum on Thursday night in a beautiful appeasement, a soliloquy in a waning room, a sedative applied to the shoulder, the neck and the soles of the feet of the soul.

The rain could be heard in Suzanne Perry’s voice. The rains painted by Vicente Rojo, the rains that Saint John Perse sings, the waters of March announced like this.

Continue reading El Chopo Concert Review

Unomásuno Article

The band appeared in many newspapers around Mexico City during their recent live appearance. One of the articles promoting the concert was in the daily tabloid-style newspaper, Unomásuno. Following is an English translation plus the original article.


Today at the Chopo Museum: Love Spirals Downwards and La Divina Comedia are Presented

by Javier Delgado

Regarding Love Spirals Downwards:

On their musical approach, Perry and Lum said: “We prefer to do things this way, naturally, because we believe that music is recreated in a much more intimate way…”

Perry and Lum do not consider themselves the typical musicians who are preoccupied with money or fans; there are more important things, like spirituality and the alternative of communicating through music with their peers. This is why the lyrics of their songs seek to transmit emotions, more than a message; “It is above all about something spiritual, mysterious.”

The music of Love Spirals Downwards aims to recover ancient traditions and early experimentation. Folk, psychedelia, and ethereal gothic are the main stylistic tendencies that fuse in their albums and in the songs that are compiled from them.

Regarding the initials LSD, they assured that it is not about promoting any drug, it is a simple coincidence: “We don’t take acid or anything like it, that has nothing to do with us.”


Love Spirals Downwards (LSD), today at the Chopo University Museum (Enrique González Martínez 10, Santa María la Ribera), at 7 PM.


Regarding La Divina Comedia and the Concert:

For the duo, the creative possibilities in the Dark Ethereal style are very great, and that’s why in every new disc they try to broaden their vocabulary and frequently work with a dulcimer, a percussive melodic instrument that adds a new nuance to their music.

For Suzanne Perry, the strongest influences haven’t been those from the musical world that has surrounded her life, but rather the inspiration comes directly from her current working environment.

For their part, Cristina and Vicente, from the group La Divina Comedia, commented that they have been creating this type of music for three years, a time in which they have found spaces oriented toward aggressive punk, which they alternate with LSD to have the possibility of showing their work within a similar musical environment to the one they have developed.

(Javier Delgado)

Love Spirals Downwards article from Unomasuno, February 28, 1995

Carpe Noctem Vol. 2, Issue 1, 1995

“Into a Well of the Looking Glass” by Aaron Johnston

I was always involved with the ethereal music scene, but never to the degree where it became a driving passion. The nature and tone of the music was, in essence, a very articulate reflection of who I was in self, but there were simply no bands I knew of pushing the sound beyond its gates to a point of unavoidable adoration on my part. It wasn’t simply a matter of finding the perfect band, but of finding the perfect window. Through time and dedication, any group could eventually release an album with the most delicately perfect instrumentation and ideally placed melodic trim, but what is it if there is no decisive emotional push behind it? This question was at the forefront of my mind for many years, and was finally answered one evening as I sat down to listen to a prodigal young instrumentalist named Ryan Lum conspire with an astonishingly angelic vocalist named Suzanne Perry under the name Love Spirals Downwards.

Within a matter of moments, the two managed to capture a well of feelings and affections wrought with a long-held yearning for excommunication and deliverance; a subtle and pure exorcism of the soul. I always thought this kind of experience was a bit too “new age” to be truly revealed to anyone living in the real world, but I was disproved time and time again with each successive listen. I was, in all honesty, baffled by the two arms which were weaving me through the first stages of my spiritual and emotional re-education. Ryan and Suzanne had me wrapped around their fingers, plain and simple. Rather than a feeling of manipulation, however, I was a willing participant. Although it was the effort of two, the group worked almost in a doubled unison. I was traded between Ryan’s deep guitar and keyboard exchanges and Suzanne’s beautiful vocal raptures time and again with abandon. In essence, it felt as if I were being led along by a single hand with two separate bodies, two distinct minds thinking and reacting as one.

Continue reading Carpe Noctem Vol. 2, Issue 1, 1995

Muse: February/March 1995 Interview

Some music exists in a dreamlike world of softened colors and indistinct images, where words are scarcely remembered and beauty is the only thing of value. Perhaps this music speaks to us in a wordless language of the peace before birth and the worlds beyond waking reality. The only certainty is that it spirals gracefully downwards through layers of mystery like the depths of an enchanted ocean. This is the music of Love Spirals Downwards: the music of dreams and worlds beyond. Love Spirals Downwards is the voice of Suzanne Perry and the music of Ryan Lum on synthesizers, samplers and guitars.

MUSE: The Projekt label says they produce ethereal, gothic and dark ambient music. Which description most suits your music?

Suzanne: I don’t mind being attached to ethereal so much as being called a 4AD type That’s too specific. Ethereal is more vaguely descriptive.

Ryan: It could be The Moon Seven Times; it could be us; it could be The Sundays. It’s a very broad term.

Continue reading Muse: February/March 1995 Interview

El Financerio Interview

The band were interviewed by one of the major newspapers in Mexico, El Fianancerio, after their headlining concert in Mexico City. Appearing in the Cultural section of the primarily business and financial news focused paper, the article is titled “A Pale Shadow.” Below is a translation from the original Spanish with slight formatting changes to indicate the speaker. A scan of the clipping faxed over to Projekt follows.


Love Spirals Downwards at the Museo del Chopo

by Oscar Enrique Orneleas

Suzanne Perry (25 years old) and Ryan Lum (28) met in the record store where they worked in Los Angeles, California. A pair of young Americans, like any ordinary couple. “Jack and Diane,” by John Cougar, if you know what I mean. But here the story doesn’t end in an “tragedia Americana”—it’s the style of the writer Theodore Dreiser. Perry (voice) and Lum (various sounds, electric guitars and synthesizers) have integrated their home studio and create pieces as varied as any of the records they listen to. Using a longer name with their two last names together, Love Spirals Downwards (don’t try to translate it, it’s more complicated than it seems), they have two albums: “Idylls” (1992) and “Ardor” (1995), both released on the independent label Projekt, begun by Sam Rosenthal. Ethereal music, guided by the ancestral catalog of dark and ethnic music (“folk” at one time), anything you can imagine. Perry and Lum were in Mexico to offer one solo recital yesterday, on the stage of the University Museum of Chopo. In the evening, this same duo offered some answers to ‘El Financiero’.

Continue reading El Financerio Interview

B-Sides July/Aug 1995 Feature Interview

“Ecstasy of Angels: Love Spirals Downwards” By Rossi Dudrick

Winged for an astral Odyssey, you’ll soar on a freed soul fantasia, where elation and melancholy are locked in epoch embrace. A sweet chanteuse’s vocals seem to sweep over misty moors, while guitar chords fall like shimmery sunlight on deep pools of tranquility. The height of your ascension is up to you, for even a modern day Icarus now has a second chance.

Although Love Spirals Downwards’ music seems to flow from a wellspring of divine inspiration, the creators of these soft-focus mood montages have no stigmatas flooding their teacups.  Such cameo apparitions burst like soap bubbles upon meeting the diaphanous duo, vocalist Suzanne Perry, and guitarist Ryan Lum.  In the midst of a torrential downpour, they look like two fresh-faced college kids on a tailgater’s rush indoors for safe harbor more than members of the ethereal’s exotic elite.

Over a rainy day breakfast in a ‘50’s time warp diner, the pertinent debate of the moment is omelets vs. blueberry pancakes.  It’s unanimous; stacks of belly whopping blues all around!  Hunger pangs aside, Suzanne and Ryan exude an easygoing warmth and unpretentiousness that sparks candid rapport. “Most people are surprised that we’re down-to-earth, normal people, always joking and really practical; not head in the clouds types,” emphasizes Suzanne. “But what confounds most people is how little time I spend thinking about my music, or think[ing] of myself as a musician.”

Continue reading B-Sides July/Aug 1995 Feature Interview

Ardor Press Release 1995

Official Love Spirals Downwards Projekt press release for ‘Ardor’:

The words ‘Ethereal’, ‘Ether-bliss’, ‘Dream-pop’ and ‘Angelic’ have all been used in describing the mysterious sound of Love Spirals Downwards. While none of these terms captures the essence of their sound, each describes some quality of their beyond-language music. And beyond language’ is a good starting point; their. female vocals transcend lyric and language, while guitars swirl and spiral with bright atmospheric textures from a place beyond words. It is place where words and meaning are meaningless and where emotion and beauty prevail.

Released in late 1992, this Los Angeles duo’s debut album Idylls has become one of Projekt’s most popular releases. On their new album Ardor, Love Spirals Downwards continues their dream-like sound with a blissful and uplifting feel that picks up from the slightly darker, almost Eastern, sound of their debut. Ardor abounds with rich layered textures of effected electric and acoustic guitars created by Ryan Lum combining with the beautiful harmonizing voices of vocalist Suzanne Perry, enveloping the listener in a world of beauty.

PROJEKT
Love Spirals Downwards 'Ardor' 1994 (Projekt)