Outsight Radio Hours Interview

Here’s a partial transcript of the interview Tom Schulte did with Ryan recently on his Internet radio show, for those that aren’t able to stream audio. Outsight is a featured archival broadcast of the Music Sojourn site so go listen to it if you can!

Tom: How are things going there on the West Coast?

Ryan: Oh man, it’s really, really super hot right now in Los Angeles. I just saw the Weather Channel and the whole West Coast is not, even places that shouldn’t be hot, like Portland, Oregon. It just started today. Where are you at?

Tom: I’m in Detroit, and it’s damn hot here, as well. 

Ryan: (chuckles)

Tom: You get to travel a lot with the band, as I understand? On tours and stuff. Isn’t there a new release you’re supporting now?

Ryan: No, no. We haven’t even done a show for about a year or two now. 

Continue reading Outsight Radio Hours Interview

Projekt 100: The Early Years Features LSD

Our 50 Years of Sunshine exclusive mix of “Kykeon” is featured on Projekt100, a new various artist compilation created to celebrate the early era of the label from 1985 to 1995.

Projekt100: The Early Years (1985-1995)

Reaching the milestone of its 100th release, Projekt celebrated in a special way. Harkening back to the time when catalog number “PRO-100” seemed a hundred years away, Rosenthal explains his motivation for this compilation: “In planning Projekt100, I tried to recreate an era. A time gone by. A time when Projekt was young and our artists were widely unknown. Rather than put together a predictable ‘best of’ to commemorate Projekt’s 100th release, I created The Great Lost Projekt Compilation. A reflection upon an era gone by, for those fans who have been with Projekt since the early days . . . or an introduction to bands perhaps missed, if a new-comer.”

Included are never before heard tracks from Projekt’s first two acts: Lycia and black tape for a blue girl; as well as unreleased mixes from Attrition, Eden, Lovesliescrushing, and SoulWhirlingSomewhere; early mixes from Thanatos and Terrace of Memories; an unreleased track from O Yuki Conjugate; and a rare mix from Love Spirals Downwards.

— Projekt Records

Purchase a copy of this CD directly from Projekt.com

Interview and new comps

I will be interviewed live on Outsight Cyber Radio Sunday, June 25th, 8pm EST/5pm PST. Please tune in via the internet at his site. Tom will be archiving the interview as a RealAudio file, for those of you who can’t tune in live, so check his site for that!

We’ve been included on several compilation CDs recently released, including:

  • Claire Voyant – Time Again (Accession Records): a remix project CD including Front 242, Haujobb, Trance to the Sun, VNV Nation and many others. Anji and I remixed their track “Bittersweet” in a jazzy, atmospheric drum ‘n’ bass style, featuring sax by our pal, Doron, of Toof. More details at Accession.

  • Heartbeats (Mascara): this cool German comp focuses on electronica acts with “tender feelings” such as Moby, Sneaker Pimps, Smith & Mighty, Marc Almond, Nightmares on Wax and more. Flux’s “Psyche,” featuring Kristen Perry on vocals, is the chosen LSD cut.

  • Projekt 100: The Early Years, 1985 to 1995 (Projekt Records): this is a compilation of vintage Projekt band recordings, in celebration of their 100th release. The Love Spirals Downwards track is the 50 Years of Sunshine mix of “Kykeon.” More details are available from Projekt.

  • Darkwave: Music of the Shadows v2 (K-Tel): Projekt Records founder, Sam Rosenthal, helped to compile this collection of darkwave-related bands such as: Cocteau Twins, Lycia, Miranda Sex Garden and more. “Forgo,” from Love Spirals Downwards’ debut album, Idylls, is the first track of the album. More details are available from Projekt.

Temporal Review in Outburn

A review of Temporal appeared in Outburn Magazine #12. Projekt sent along a clipping to share. It reads:

REMIXES AND SINGLES FROM INNOVATIVE SHOEGAZERS: I can’t think of any ethereal band more sonically enchanting or musically daring than Love Spirals Downwards. No group has pushed the boundaries of the shoegazer sound since the formative days of the 4AD label during the 1980’s. Over four albums, programmer, Ryan Lum, and vocalist, Suzanne Perry, have deftly weaved solemn soundscapes with intelligent, thoughtful poetry. Unafraid of emerging electronic styles, Lum embraced ideas from genres as disparate as drum & bass and goth to evolve Love Spirals Downwards’ unique sound. Temporal serves as a great introduction to their music, a thirteen track CD offering remixes of “Misunderstood” and “Alicia” from 1998’s Flux, as well as songs from their earlier albums. Hearing early songs like the tenebrous “Ladonna Dissima” from 1992’s Idylls illustrates how versatile and adventurous the duo is. Fans will also appreciate “Amarillo” and “Mediterranea,” previously only available as singles or on compilations. This release reminds me of how much I anxiously await Love Spirals Downwards’ next album. ~ David Slatton

Temporal Review in URB

URB Issue No. 75 June 2000 features a review of our retrospective album released by Projekt earlier this year:

Temporal (Projekt) A few years ago, a couple of phenomena exploded out of the UK and into the American consciousness: the post-Portishead wave of trip-hop groups (basically. anything with beats and a female singer), plus the smooth drum & bass most prominently showcased stateside via LTJ Bukem. Both of those models have found a happy hybrid in the recent music of Love Spirals Downwards. But LSD’s existence predates either of those styles. The electronic washes and gentle tug of implied beats carried along their early, ethereal pop. It was a perfect platform for Ryan Lum’s compositional evolution toward the quiet but emphatic breakbeats heard on LSD’s 1998 CD, Flux. Temporal is a collection which looks back through the haze, opening with three tracks that have their genesis in the Flux sessions: two unreleased remixes and an album cut. The music then drifts backward in time, showcasing an increasingly ambient sensibility in tracks that date all the way to 1992. Whether or not these numbers have appeared on the group’s full-lengths, they show consistency in one key respect the crystal-clear voice of Suzanne Perry. It’s all very lovely, a nice sound to chill to after a hard night of pounding kick drums.

By Benjamin Diaz